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Spread your message to the world……or at least the parking lot
Still sharp wide open at f1.4…
This lantern goes to 11
It’s all about content baby, use what you have.
Hard, soft, bright, any colour. Goldilocks in a light.
When the light comes from everywhere, how can there be any shadows?
Finally! No hassle long distance HDMI…
Super duper hyper ultra mega switcher…
Second verse, better than the first.
Blazing speed for DIT or ISO recording
Your A7slll will thank you
Pair up with Komodos and Pocket Cinema Cameras…
Made for Sony FS7 and FX9 cameras
It’s all that and sees into a bag of chips.
Super tiny, super high quality.
8K. RAW. Need I say more?
Komodo ops…prepare to be happy!
If one is good, three is better
Sharp and wide. Use that touchscreen autofocus!
Nice range, great handling, fast. Popular for a reason.
Stabilized full frame telephoto images
A powered zoom lens for Sony E-Mount cameras.
If one lens is good, three must be better
Great in general, but especially for gimbals.
A great midrange lens for Sony cameras
High quality zero delay monitoring with the industry standard.
HMI, your days are numbered…
What it says in the title, a true “do it all” device
A great combo at a great price!
The full frame sequel to the FS7, with amazing autofocus.
Not just for low light anymore, it has a great combination of features
Been around the world and I, I, I…I’ve found my baby
Smooth moves and wireless video integrated
All the usual GoPro goodness with a front facing colour screen
Incredible versatility vs size ratio
Small and light, but at 270mm on an FS7 you’re still at f2.8
Get HD video into your modern Macbook.
Extend your range for less
Colour your world
High Velocity Air Circulatory Device
Super fast wide zoom for crop sensor cameras
Our drones can enhance any project
All grown up with multiview and recording
Throw a splash of colour in there!
Probably the most stable and adjustable slider on the market
A feature set that has only been equaled recently, at a great new price
Our premier field monitor. The blacks are black (I want my baby back….)
Don’t settle for a webcam, make your stream standout with a high quality signal
Not for every shot but perfect for certain shots
Young camerapeople, do you want to be old camerapeople?
Finally, pro HD-SDI monitoring on your phone
It’s not possible to do a music video without these lights.
Make your Hero9 blog-errific!
Super fast medium zoom for crop sensor cameras
Switch Professional, Consumer and computer sources…
Finally, a focusable battery powered LED Fresnel
You too can have the sharpest shadow puppets in all the land
Second verse, better than the first. The versatility 4K champ is new and improved!
If you need two of the lenses anyways, $20 gets you the third….
Big cameras need big tripod heads
Professional aerial cinematography with cinema quality.
Good sound, look nice.
Great for DSLR lenses that need artificial hard stops
Use your Pro gear to reach the Instagram generation.
4K in a backpack
CRAZY. WIDE.
The current “it” camera that everyone wants.
Low cost wireless video
Maximum functionality with minimal weight.
Not for everybody, but perfect for somebody.
Save your back, extend your career.
6K. RAW. EF Mount. 13 stops.
A useable wide range while still being reasonably fast.
4.6K. RAW. $450. ’nuff said.
Built like a tank, it can handle a lot of weight for its size.
MidCan’s All-in-one Lighting and Grip Truck is a 3-Ton International with hydraulic lift gate.
Our workhorse ENG camera, now with free lens
Small yet powerful. Powerful yet small. Small. Powerful.
Great for tight work or portraits.
Finally. A smart slate that just works.
The built-in lighting effects are pretty cool!
Wirelessly control focus, iris and zoom settings on cinema lenses
Stabilized 4K kayaking.
This does straight cuts on its own, or combined with an optional laptop, takes on quite a few more features.
Bi-Colour. Powerful. AC or battery.
A gimbal that can take not only “a real” camera, but all the accessories you need to do the job right.
Stream without a PC!
Monitor wirelessly in comfort.
Best possible quality, and less expensive than a wireless. If your subject isn’t moving, why not?
An industry standard.
We love the KiPro! Having multiple converted outputs all live at the same time makes it a real problem solver on mobiles.
Two channels. Small. Smart hotshoe capable.
A cost effective bi-colour kit that fits in an overhead bin.
A nice sized light with flexible features.
Good for Documentaries or coffee house buskers
Use your professional camera as a webcam.
All day power for your FS7 and accessories.
Great video and audio will make you the envy of your Zoom group
Lots of space to haul all your stuff, with a nifty rear loading ramp.
Diversity. Tuneable. 3.5mm cords. Upgraded lapels. Nice!!
Finally! Timecode made simple.
Some of the best Post facilities in North America, and all under the same roof!
Need to fight windows? This can help.
The 800 and the 400 make a nice one-two punch while still remaining within the power limits of a household circuit.
The people I’ve talked out of a slider and into this thank me….
The counterbalance crank makes it easy to set the head so that you control where the camera points, not the other way around.
The 400 and the 800 make a nice daylight combination while still remaining within the power limits of a household circuit.
Baby HMI
Finally, motion control made easy.
Not big enough for Gone With The Wind 2, but perfect for interviews, music videos and VR work.
Is it the little Brother to the F55, or the big Brother to the FS7? We’ll let you decide. 4k and HD in 10bit 4:2:2 colour, PL mount, RAW with clip-on recorder, and up to 180fps in HD.
The low light King. A huge full frame sensor gathers lots of photons, and processing keeps the noise out at high ISOs. Onboard 4K recording is the big advantage of this second generation body.
Perfect for small shoots.
Our top of the line PL zoom lens.
Need a teleprompter on the end of a jib? This can do it!
Unlike most cameras, this baby uses CCD imagers rather than CMOS chips, making it great for sports.
Our full size teleprompter that lets talent look directly into the camera’s lens.
Got a massive rig? This slider can take the weight!
Perfect for future Youtube stars….
An industry standard.
Have a presenter roaming around a stage? These will help eliminate feedback….
RED. GREEN. BLUE….and everything inbetween.
Our most flexible fixture with variable colour temperature and output.
Quite powerful for an LED fixture (but not very aerodynamic…..)
Our best “bang-for-the-buck” light if you need variable colour temperature and dimming.
A great interview kit. Similar to our Lowel kits with a bit more oomph.
Almost small HMI output for a great price with the option of battery powering.
No replacement for displacement.
Hard to beat for a single person interview where you aren’t fighting windows.
You can gaffer tape these to a wall if you need hide a soft source.
These are great for detail work.
Inexpensive way to pound a lot of light onto something
Economical interview kit.
Light in the round.
Can you do two?
Half as tall as the four bank version naturally.
A nice option for rigging car interiors.
More controllable than a flex fill.
Ever try to describe how a C-stand works?
Small enough to package with our DIVA lights.
Our largest light stand.
When the power went out in Winnipeg, we used it to power an entire edit suite to ensure a client made their deadline. That’s performance!
A good walking around lens for stills, and interview lens for video.
The solid steel ones are so heavy you almost don’t need a sandbag (but don’t risk it).
Hard to get a lighter stand that has this wide and stable a base.
Great for back lights.
Get that light low.
Are you a Mafer person or a Cardellini person?
I find that saying “Cardellini” on set impresses clients, and makes it sound like you learned lighting from an Italian master…..
Position objects in places hard to reach by any other method.
Weighed down with sandbags, an 8 x 8 can help control sunlight for outside interviews.
Either size are the same price, but 3×3 fit in your car a lot more easily.
Taking light away can be as important as adding light.
You have to put something in all those C-stands you rented…..
These don’t need to be plugged in…….
Our largest portable greenscreen.
Great for head & shoulders keys.
POP! Insta-backdrop….
Putt-putt-putt-putt-putt…..
Thump. He he he….
Not the fastest lens in our lineup, but if you have the light it has a really great range.
The digital readout makes it easy to match a previous use.
Just the thing to cash in on the latest vampire movie trend.
Convert HD signals to light in order to run them long distances.
Doing an exercise program? This unit is sweat proof.
Our main field recording setup
An industry standard.
The successor to the H4n, with six channels and a colour screen.
Being able to power not only the mixer, but its accessories as well off of a central battery makes life a lot easier.
Nice and light. Two wirelesses and a boom…Done.
A solid mixer.
A great little mixer for mid-sized gigs. It can record too!
It has a fairly specific use, but when you need it, you really need it.
A newer mic than the 416, not necessarily better. Comes with built-in roll offs.
It provides lots of signal and can be used hand held or on a boom. No phantom required.
A great on-camera microphone.
Our everyday “reporter” mic.
The hammer. Bulletproof.
Our lawyers do not recommend hammering items with the VP64…..or shooting it.
The interchangeable capsule is a nice feature.
Why go wireless if you don’t have to?
BG audio for still cameras when you’re running & gunning….
We like that the boom slides down into the stand for easy shipping.
Good for micing instruments.
These fold up small and have a long cord.
Lets your laptop plug into your HD switcher.
Makes HD-SDI into any form of HD or SD you need.
Being wireless makes multicamera mobiles with hand held cameras very easy.
The amazing expando-podium, fun for the whole family!
A powerful PA that is transportable in your back seat.
12 feeds, no waiting!
Relieves headaches faster than Tylenol.
A standard in “video villages” on sets worldwide.
An old standby that has earned its stellar reputation.
Good stand alone or as a multi-viewer for our Panasonic switcher
Daylight viewable. Full stop.
Nice menu systems and controls on the DP7.
Doing a pod cast where you need to accept phone calls? This is for you.
Loud enough to overcome a roaring arena crowd….
Around forever, and for good reason. Rock solid.
Inexpensive, light and good.
Lets Directors monitor playback on film sets.
Inexpensive way to monitor SD-SDI signals.
4K or 4 x HD in full resolution
Pretty great deal and lens options on a $10,000 projector.
Great deal on a great little projector.
Let’s Directors hear playback without audio feedback issues.
Unfurling (isn’t that a great word?) projector screen.
Go big or go home!
Need to show your video at a trade show? We can help you out.
HD touch screen monitor and 4K solid state recorder plus so much more.
Our smallest 4k recorder (in size, not features).
Light weight, full featured HD monitor/recorder.
Our smallest HD recorder.
An all-in-one solution for Sony’s legacy standard definition formats.
HDV tape as well most of the standard definition DV formats.
A deck for Sony’s 35mbit EX format.
Still have DV tapes? Come talk to us…
A hybrid between a linear editor and data based workflow.
Convert your HD signals to light to send them long distances.
Bi-Directional and USB powered….plus, you know, pretty.
Watch your pro camera on your 65″ TV.
Convert HDMI to HD-SDI.
Clone an HD-SDI signal six ways.
Compresses video signals down to H.264 encoded computer files.
Let’s you play 4K video off of a USB thumbdrive.
A TV studio in a box (well….3 boxes, but you get the idea).
Easy HD switching for those that don’t need all of our Tricaster’s capabilities.
Don’t call it baby.
Heavy capacity with quick leveling.
Goldilocks: bigger and sturdy, but not TOO big….
Good, solid workaday tripods.
Thin but solid.
How low can you go?
Need to shoot in and out of office cubicles all day? These will make your life easier….
A Slider & Jib in one unit for smaller cameras.
Canon’s first non-DSLR “cinema” camera has great skin tones
Did you know that “It’s a Duzi” originally referred to Duesenberg cars?
Roll with no Rock.
Gimbalicious!
Looking for a magic wand to stabilize your footage? It’s kinda like that…..
If you are going to be doing a lot of stabilizer work, having one you can mount to your body rather than hand-hold can be a real benefit.
Record up to 12 hours of HD at one time.
The DSLR that started the 24p revolution.
Much better than plugging things into a meh 3.5mm connecter….
Good for getting BG comments of subjects right in front of you.
Thunderbolt based SxS card reader.
A great P2 memory card ENG camera. Very good in low light.
A nice practical range, with a reasonable size and weight. A nice all around lens.
Wide, reasonably fast and 0.8 cine gearing. Nice!
Cost effective long lens.
Quite fast, well engineered and moderately priced. These primes give good bang for the buck.
The big dog. Great for sports and long ballrooms!
Need to shoot both hunters in the cab of a truck and also see their prey on the horizon? This is your lens.
Wide and tight in the same lens. You won’t find this kind of range in a Super 35mm lens.
The standard telephoto zoom of Canon’s range.
I for one welcome our robot overlords!
Available separately, but designed to go out with our PTZ camera
The EX1 and the EX3 are the same camera in different form factors.
An inexpensive workhorse. One of the first cost effective full HD cameras.
Essentially an EX3 in ENG camera form that records to optical disc.
A tape based HD camera that offers a lot of flexibility.
The first variable frame rate HD camera, still kickin…
A great unit for symposiums and the like where you need a bit more lens.
Lightweight, and the best handles out there…
A Goldilocks lens… just right.
Fairly wide for a “standard” lens, and reasonably light and compact as well.
A standard zoom for Electronic News Gathering.
A B4 Mount telephoto zoom lens specifically developed for cinema use and accessories.
A B4 Mount wide angle zoom lens designed for cinema accessories.
Our main rod mounted matte box.
Smart timecode slate.
Battery powered timecode sync device.
Master timecode Clockit.
A wireless HD transmitter that integrates well with larger V-Mount cameras.
Unlike our other wireless video systems, this one uses compressed transmission over WiFi. This allows it to stream to the web in addition to locally.
10bit 4:2:2 in a small package.
If it’s not the world’s lightest full featured matte box, it’ll do until one gets here.
Clip-On matte boxes with 110mm and 130mm openings and sizing rings.
4.x5.65 two stage matte box.
We have a selection of ND’s, Grads, Colour, Effect and Diffusion filters in various sizes. Please call for details.
Our largest matte box.
The big dog! Our longest large sensor zoom.
Super fast EF primes. Want to shoot the Milky Way? The 24mm f1.5 is your huckleberry.
A good focal range, and the swappable lens mount covers a variety of camera combinations.
Count the angels on the head of a pin
Doubles the focal length of certain Canon lenses.
A big help when shooting small things.
Tape is still kicking for a little bit longer…..
Grad Dads and Marrying Moms, this is your camera.
Great for ambient audio when you’re shooting BG footage.
Great for quick shots with small cameras.
Rod mounted zoom system for 0.8 geared cinema lenses.
It’s hard to pan & tilt accurately on a slider, but not when your standing beside your camera on a dolly.
Wireless follow focus for cinema lenses.
On-Camera follow focus control for cinema lenses.
It weighs not much more than a lens cap for crying out loud!
Adapts our Full Frame Canon lenses to Micro Four Thirds cameras, with a nice little light gathering boost.
Short…but long. How is that even possible?
Very fast for a zoom lens….
Your 1st AC might give you the stink-eye over the incredibly small depth of field this lens creates wide open.
Very wide but not super distorty…
Lens support (60mm spacing).
Adaptors that let you use 3 different types of lenses with the Sony FS7, A7s or any E-Mount camera with a crop sensor. Free with our cameras.
Airline confiscated your batteries? Rent from us!
Your toe will hate you if you drop it