Showing 288 results
HMI, your days are numbered…
What it says in the title, a true “do it all” device
The full frame sequel to the FS7, with amazing autofocus.
Not just for low light anymore, it has a great combination of features
Smooth moves and wireless video integrated
8K. RAW. Need I say more?
Goldilocks, your light has arrived.
Get HD video into your modern Macbook.
Stabilized full frame telephoto images
Sharp and wide. Use that touchscreen autofocus!
Colour your world
High Velocity Air Circulatory Device
A great midrange lens for Sony cameras
Our drones can enhance any project
All grown up with multiview and recording
Throw a splash of colour in there!
Probably the most stable and adjustable slider on the market
All the usual GoPro goodness with a front facing colour screen
Our premier field monitor. The blacks are black (I want my baby back….)
Don’t settle for a webcam, make your stream standout with a high quality signal
Not for every shot but perfect for certain shots
Young camerapeople, do you want to be old camerapeople?
Low cost wireless video
It’s not possible to do a music video without these lights.
4K, Global Shutter, RAW capable.
Great in general, but especially for gimbals.
Switch Professional, Consumer and computer sources…
Finally, a focusable battery powered LED Fresnel
You too can have the sharpest shadow puppets in all the land
Stabilized 4K kayaking.
Count the angels on the head of a pin
Professional aerial cinematography with cinema quality.
Good sound, look nice.
Great for DSLR lenses that need artificial hard stops
Use your Pro gear to reach the Instagram generation.
4K in a backpack
Adapts our Full Frame Canon lenses to Micro Four Thirds cameras, with a nice little light gathering boost.
Tiny and smooth.
High quality zero delay monitoring with the industry standard.
Maximum functionality with minimal weight.
Not for everybody, but perfect for somebody.
A gimbal that can take not only “a real” camera, but all the accessories you need to do the job right.
4.6K. RAW. $450. ’nuff said.
A good focal range, and the swappable lens mount covers a variety of camera combinations.
4k in a useable form factor with a long lens. The camcorder is not dead!
Built like a tank, it can handle a lot of weight for its size.
MidCan’s All-in-one Lighting and Grip Truck is a 3-Ton International with hydraulic lift gate.
Second verse, better than the first. The versatility 4K champ is new and improved!
Small yet powerful. Powerful yet small. Small. Powerful.
Super fast EF primes. Want to shoot the Milky Way? The 24mm f1.5 is your huckleberry.
Finally. A smart slate that just works.
The built-in lighting effects are pretty cool!
Wirelessly control focus, iris and zoom settings on cinema lenses
The current “it” camera that everyone wants.
This does straight cuts on its own, or combined with an optional laptop, takes on quite a few more features.
Bi-Colour. Powerful. AC or battery.
All day power for your FS7 and accessories.
Stream without a PC!
Monitor wirelessly in comfort.
Best possible quality, and less expensive than a wireless. If your subject isn’t moving, why not?
Super tiny, super high quality.
Roll with no Rock.
We love the KiPro! Having multiple converted outputs all live at the same time makes it a real problem solver on mobiles.
Have a presenter roaming around a stage? These will help eliminate feedback….
A cheap bi-colour kit that fits in an overhead bin.
A nice sized light with flexible features.
Great video and audio will make you the envy of your Zoom group
Use your professional camera as a webcam.
6K. RAW. EF Mount. 13 stops.
Lots of space to haul all your stuff.
Two channels. Small. Smart hotshoe capable.
Finally! Timecode made simple.
Some of the best Post facilities in North America, and all under the same roof!
Need to fight windows? This can help.
The 800 and the 400 make a nice one-two punch while still remaining within the power limits of a household circuit.
Is it the little Brother to the F55, or the big Brother to the FS7? We’ll let you decide. 4k and HD in 10bit 4:2:2 colour, PL mount, RAW with clip-on recorder, and up to 180fps in HD.
The people I’ve talked out of a slider and into this thank me….
The counterbalance crank makes it easy to set the head so that you control where the camera points, not the other way around.
The 400 and the 800 make a nice daylight combination while still remaining within the power limits of a household circuit.
Baby HMI
Finally, motion control made easy.
Not big enough for Gone With The Wind 2, but perfect for interviews, music videos and VR work.
16bit RAW lets your colourist work miracles.
The low light King. A huge full frame sensor gathers lots of photons, and processing keeps the noise out at high ISOs. Onboard 4K recording is the big advantage of this second generation body.
Our workhorse ENG camera.
Perfect for small shoots.
Camera & Ambulance = Cambulance. Get it?
Our top of the line PL zoom lens. Great for standard cinema setups, but also uniquely suited to run-and-gun scenarios.
A TV studio that can pull up to your door.
Need a teleprompter on the end of a jib? This can do it!
Unlike most cameras, this baby uses CCD imagers rather than CMOS chips, making it great for sports.
Our full size teleprompter that lets talent look directly into the camera’s lens.
Got a massive rig? This slider can take the weight!
An industry standard.
An industry standard.
Diversity. Tuneable. 3.5mm cords. Upgraded lapels. Nice!!
RED. GREEN. BLUE….and everything inbetween.
Our most flexible fixture with variable colour temperature and output.
Quite powerful for an LED fixture (but not very aerodynamic…..)
Our best “bang-for-the-buck” light if you need variable colour temperature and dimming.
A great interview kit. Similar to our Lowel kits with a bit more oomph.
Almost small HMI output for a great price with the option of battery powering.
Inexpensive. Maximum Return On Investment. Low Cost Impact. You know….cheap!
No replacement for displacement.
Hard to beat for a single person interview where you aren’t fighting windows.
You can gaffer tape these to a wall if you need hide a soft source.
These are great for detail work.
Inexpensive way to pound a lot of light onto something
Economical interview kit.
Light in the round.
Can you do two?
Half as tall as the four bank version naturally.
A nice option for rigging car interiors.
Why fight the sun…..use it!
Why fight the sun…..use it!
More controllable than a flex fill.
Ever try to describe how a C-stand works?
Small enough to package with our DIVA lights.
Our largest light stand.
When the power went out in Winnipeg, we used it to power an entire edit suite to ensure a client made their deadline. That’s performance!
CRAZY. WIDE.
The solid steel ones are so heavy you almost don’t need a sandbag (but don’t risk it).
Hard to get a lighter stand that has this wide and stable a base.
Great for back lights.
Get that light low.
Are you a Mafer person or a Cardellini person?
I find that saying “Cardellini” on set impresses clients, and makes it sound like you learned lighting from an Italian master…..
Position objects in places hard to reach by any other method.
Weighed down with sandbags, an 8 x 8 can help control sunlight for outside interviews.
Either size are the same price, but 3×3 fit in your car a lot more easily.
Taking light away can be as important as adding light.
You have to put something in all those C-stands you rented…..
These don’t need to be plugged in…….
Our largest portable greenscreen.
Great for head & shoulders keys.
POP! Insta-backdrop….
Putt-putt-putt-putt-putt…..
Great for powering our Celeb lights!
Thump. He he he….
A useable wide range while still being reasonably fast.
The digital readout makes it easy to match a previous use.
Just the thing to cash in on the latest vampire movie trend.
Convert HD signals to light in order to run them long distances.
Our smallest full HD transmitter/receiver combination. Great for gimbals!
Doing an exercise program? This unit is sweat proof.
Our main field recording setup
An industry standard.
The successor to the H4n, with six channels and a colour screen.
Being able to power not only the mixer, but its accessories as well off of a central battery makes life a lot easier.
Nice and light. Two wirelesses and a boom…Done.
A solid mixer.
A great little mixer for mid-sized gigs. It can record too!
It has a fairly specific use, but when you need it, you really need it.
A newer mic than the 416, not necessarily better. Comes with built-in roll offs.
It provides lots of signal and can be used hand held or on a boom. No phantom required.
A great on-camera microphone.
Our everyday “reporter” mic.
The hammer. Bulletproof.
Our lawyers do not recommend hammering items with the VP64…..or shooting it.
The interchangeable capsule is a nice feature.
Why go wireless if you don’t have to?
BG audio for still cameras when you’re running & gunning….
We like that the boom slides down into the stand for easy shipping.
Good for micing instruments.
These fold up small and have a long cord.
Lets your laptop plug into your HD switcher.
Makes HD-SDI into any form of HD or SD you need.
Being wireless makes multicamera mobiles with hand held cameras very easy.
The amazing expando-podium, fun for the whole family!
A powerful PA that is transportable in your back seat.
12 feeds, no waiting!
Relieves headaches faster than Tylenol.
A standard in “video villages” on sets worldwide.
An old standby that has earned its stellar reputation.
Good stand alone or as a multi-viewer for our Panasonic switcher
Daylight viewable. Full stop.
Nice menu systems and controls on the DP7.
Doing a pod cast where you need to accept phone calls? This is for you.
Loud enough to overcome a roaring arena crowd….
Around forever, and for good reason. Rock solid.
Inexpensive, light and good.
Lets Directors monitor playback on film sets.
Inexpensive way to monitor SD-SDI signals.
4K or 4 x HD in full resolution
Pretty great deal and lens options on a $10,000 projector.
Great deal on a great little projector.
Let’s Directors hear playback without audio feedback issues.
Unfurling (isn’t that a great word?) projector screen.
Go big or go home!
Need to show your video at a trade show? We can help you out.
HD touch screen monitor and 4K solid state recorder plus so much more.
Our smallest 4k recorder (in size, not features).
Light weight, full featured HD monitor/recorder.
Our smallest HD recorder.
An all-in-one solution for Sony’s legacy standard definition formats.
HDV tape as well most of the standard definition DV formats.
A deck for Sony’s 35mbit EX format.
Still have DV tapes? Come talk to us…
Zooms all the way out to 300mm, in a compact lens that weighs only 2.5kg with its handle motors attached. Remarkable.
A hybrid between a linear editor and data based workflow.
Convert your HD signals to light to send them long distances.
Bi-Directional and USB powered….plus, you know, pretty.
Watch your pro camera on your 65″ TV.
Convert HDMI to HD-SDI.
Clone an HD-SDI signal six ways.
Compresses video signals down to H.264 encoded computer files.
Let’s you play 4K video off of a USB thumbdrive.
A TV studio in a box (well….3 boxes, but you get the idea).
Easy HD switching for those that don’t need all of our Tricaster’s capabilities.
Don’t call it baby.
Heavy capacity with quick leveling.
Goldilocks: bigger and sturdy, but not TOO big….
Good, solid workaday tripods.
Thin but solid.
How low can you go?
Need to shoot in and out of office cubicles all day? These will make your life easier….
A Slider & Jib in one unit for smaller cameras.
The camera that graduated Canon up from still cameras, to a real force in cinematography. The C300 still has some of the best skin tones out there. Come check out our lens and rigging options.
Did you know that “It’s a Duzi” originally referred to Duesenberg cars?
Gimbalicious!
Looking for a magic wand to stabilize your footage? It’s kinda like that…..
If you are going to be doing a lot of stabilizer work, having one you can mount to your body rather than hand-hold can be a real benefit.
Great for quick shots with small cameras.
Record up to 12 hours of HD at one time.
The DSLR that started the 24p revolution.
Much better than plugging things into a meh 3.5mm connecter….
Good for getting BG comments of subjects right in front of you.
Thunderbolt based SxS card reader.
A great P2 memory card ENG camera. Very good in low light.
A nice practical range, with a reasonable size and weight. A nice all around lens.
Wide, reasonably fast and 0.8 cine gearing. Nice!
Cost effective long lens.
Quite fast, well engineered and moderately priced. These primes give good bang for the buck.
The big dog, this telephoto lens generally gets pulled out for conferences where they need a head and shoulders shot of the podium, but they can’t put the corresponding camera in the midst of the audience. Great for sports too!
Need to shoot both hunters in the cab of a truck and also see their prey on the horizon? This is your lens.
Wide and tight in the same lens. You won’t find this kind of range in a Super 35mm lens.
Great for tight work or portraits.
I for one welcome our robot overlords!
Available separately, but designed to go out with our PTZ camera
The EX1 and the EX3 are the same camera in different form factors.
An inexpensive workhorse. One of the first cost effective full HD cameras.
Essentially an EX3 in ENG camera form that records to optical disc.
A tape based HD camera that offers a lot of flexibility.
The first variable frame rate HD camera, still kickin…
A great unit for symposiums and the like where you need a bit more lens.
Lightweight, and the best handles out there…
A Goldilocks lens… just right.
Fairly wide for a “standard” lens, and reasonably light and compact as well.
A standard zoom for Electronic News Gathering.
A B4 Mount telephoto zoom lens specifically developed for cinema use and accessories.
A B4 Mount wide angle zoom lens designed for cinema accessories.
Our main rod mounted matte box.
Smart timecode slate.
Battery powered timecode sync device.
Master timecode Clockit.
A wireless HD transmitter that integrates well with larger V-Mount cameras.
Unlike our other wireless video systems, this one uses compressed transmission over WiFi. This allows it to stream to the web in addition to locally.
10bit 4:2:2 in a small package.
If it’s not the world’s lightest full featured matte box, it’ll do until one gets here.
Clip-On matte boxes with 110mm and 130mm openings and sizing rings.
4.x5.65 two stage matte box.
We have a selection of ND’s, Grads, Colour, Effect and Diffusion filters in various sizes. Please call for details.
Our largest matte box.
A good walking around lens for stills, and interview lens for video.
Two HD monitors and two receivers, all powered by the same battery. Nice!
Not the fastest lens in our lineup, but if you have the light it has a really great range.
The standard telephoto zoom of Canon’s range.
The big dog! Our longest large sensor zoom.
Doubles the focal length of certain Canon lenses.
A big help when shooting small things.
Tape is still kicking for a little bit longer…..
Grad Dads and Marrying Moms, this is your camera.
Great for ambient audio when you’re shooting BG footage.
Save your back, extend your career.
Rod mounted zoom system for 0.8 geared cinema lenses.
It’s hard to pan & tilt accurately on a slider, but not when your standing beside your camera on a dolly.
Wireless follow focus for cinema lenses.
On-Camera follow focus control for cinema lenses.
It weighs not much more than a lens cap for crying out loud!
A powered zoom lens for Sony E-Mount cameras.
Short…but long. How is that even possible?
Very fast for a zoom lens….
Your 1st AC might give you the stink-eye over the incredibly small depth of field this lens creates wide open.
Very wide but not super distorty…
Lens support (60mm spacing).
Adaptors that let you use 3 different types of lenses with the Sony FS7, A7s or any E-Mount camera with a crop sensor. Free with our cameras.
Airline confiscated your batteries? Rent from us!
Your toe will hate you if you drop it