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Positive Lock, B4 mount box lenses with 50x magnification, Canon EF lenses, Sony E-mount, wide angle adaptors…..we have it all! From $40,000 cinema glass, all the way down to a DSLR pancake lens that weighs no more than a lens cap!
Stabilized full frame telephoto images
Sharp and wide. Use that touchscreen autofocus!
A great midrange lens for Sony cameras
Great in general, but especially for gimbals.
Count the angels on the head of a pin
Great for DSLR lenses that need artificial hard stops
Adapts our Full Frame Canon lenses to Micro Four Thirds cameras, with a nice little light gathering boost.
Maximum functionality with minimal weight.
Not for everybody, but perfect for somebody.
A good focal range, and the swappable lens mount covers a variety of camera combinations.
Super fast EF primes. Want to shoot the Milky Way? The 24mm f1.5 is your huckleberry.
Wirelessly control focus, iris and zoom settings on cinema lenses
Our top of the line PL zoom lens. Great for standard cinema setups, but also uniquely suited to run-and-gun scenarios.
CRAZY. WIDE.
A useable wide range while still being reasonably fast.
Zooms all the way out to 300mm, in a compact lens that weighs only 2.5kg with its handle motors attached. Remarkable.
A nice practical range, with a reasonable size and weight. A nice all around lens.
Wide, reasonably fast and 0.8 cine gearing. Nice!
Cost effective long lens.
Quite fast, well engineered and moderately priced. These primes give good bang for the buck.
The big dog, this telephoto lens generally gets pulled out for conferences where they need a head and shoulders shot of the podium, but they can’t put the corresponding camera in the midst of the audience. Great for sports too!
Need to shoot both hunters in the cab of a truck and also see their prey on the horizon? This is your lens.
Wide and tight in the same lens. You won’t find this kind of range in a Super 35mm lens.
Great for tight work or portraits.
A great unit for symposiums and the like where you need a bit more lens.
A Goldilocks lens… just right.
Fairly wide for a “standard” lens, and reasonably light and compact as well.
A standard zoom for Electronic News Gathering.
A B4 Mount telephoto zoom lens specifically developed for cinema use and accessories.
A B4 Mount wide angle zoom lens designed for cinema accessories.
Our main rod mounted matte box.
If it’s not the world’s lightest full featured matte box, it’ll do until one gets here.
Clip-On matte boxes with 110mm and 130mm openings and sizing rings.
4.x5.65 two stage matte box.
We have a selection of ND’s, Grads, Colour, Effect and Diffusion filters in various sizes. Please call for details.
Our largest matte box.
A good walking around lens for stills, and interview lens for video.
Not the fastest lens in our lineup, but if you have the light it has a really great range.
The standard telephoto zoom of Canon’s range.
The big dog! Our longest large sensor zoom.
Doubles the focal length of certain Canon lenses.
A big help when shooting small things.
Rod mounted zoom system for 0.8 geared cinema lenses.
Wireless follow focus for cinema lenses.
On-Camera follow focus control for cinema lenses.
It weighs not much more than a lens cap for crying out loud!
A powered zoom lens for Sony E-Mount cameras.
Short…but long. How is that even possible?
Very fast for a zoom lens….
Your 1st AC might give you the stink-eye over the incredibly small depth of field this lens creates wide open.
Very wide but not super distorty…
Lens support (60mm spacing).
Adaptors that let you use 3 different types of lenses with the Sony FS7, A7s or any E-Mount camera with a crop sensor. Free with our cameras.